Art and Technology

From Interactivity

• Michael Naimark
  • See Banff!! (1993): http://www.naimark.net/projects/banff.html
  • Displacements (2005): http://www.naimark.net/projects/displacements.html
• Usman Haque:
  • Reconfigurable House http://www.haque.co.uk/reconfigurablehouse.php
  • Open Burble: http://www.haque.co.uk/openburble.php
• Robert Whitman's "Local Report": http://www.whitmanlocalreport.net/sub_project.htm
  • "Telecommunications Projects:" http://www.ubu.com/papers/whitman_funcke.html
  • http://www.ubu.com/film/whitman_1960s_Part3.html
• Camille Utterback "Liquid Time" - http://www.camilleutterback.com/liquidtime.html
• Anthony McCall "Line Describing a Cone": http://www.youtube.com/watch?v=1-HWsxPnNNY and

http://www.adamartgallery.org.nz/

• Billy Klüver “The Great Northeastern Power Failure” (1966)
  http://www.artmuseum.net/w2vr/archives/Kluver/Northeastern.html
  Great short essay on the relationships between art, technology, and engineering.
• "The History of the Interface in Interactive Art"
  • Ken Feingold, 1994: http://www.kenfeingold.com/dinkla_history.html
• Bertolt Brecht's Radio Theory, which he developed in the late twenties. Brecht envisioned the transformation of broadcasting from a distribution machine into a communication device that offers listeners the opportunity to help create its content.
  • Bertolt Brecht, Radiotheorie (Radio Theory), in: Gesammelte Schriften, Vol. 18, Frankfurt/M. 1967, pp. 119-134
• Myron Kreuger, Artificial Reality
• Bernie Lubell
  • High-tech, wooden interactive sculpture: http://blubell.home.att.net/installations_2003.htm

• "CUT AND PASTE: COLLAGE AND THE ART OF SOUND" by Kevin Concannon (archived on UbuWeb) - http://www.ubu.com/papers/concannon.html
  • Talks about appropriation, remixing, Christian Marclay
• the Situationists: http://www.cddc.vt.edu/sionline/index.html
• At A Distance: Precursors to Art and Activism on the Internet
  Anne Marie CHandler and Norie Neumark eds
  • Despite its title, very few of its essays are about the internet, and it covers much in the ways of physical computing (radio, telematics, fluxus etc.)
• Art R&D: Research and Development in Art, V2_Nai Publishers
• Friedrich A. Kittler's essays
• Roy Ascott "Behaviourist Art and the Cybernetic Vision" (1967) and “Back To Nature II: Art and Technology in the Twenty-First Century” (1995), Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness
• Pam Meecham & Julie Sheldon, “From The Machine Aesthetic to Technoculture,” Modern Art: A Critical Introduction, 2nd Ed. (2005)
• Söke Dinkla, “The History of the Interface in Interactive Art” (1994)
  • http://www.kenfeingold.com/dinkla_history.html
• David Rokeby, “Transforming Mirrors : Subjectivity and Control in Interactive Media,” Critical Issues in Interactive Media, ed. Simon Penny (1996)

http://homepage.mac.com/davidrokeby/mirrors.html

• Sensorium: Embodied Experience, Technology, and Contemporary Art, ed. Caroline A. Jones (2006)
• Jonatham Benthall, “Science and Art as Modes of Enquiry,” Science and Technology in Art Today (1972)